Livre
Cambridge: Cambridge University Press, 2019
| Titre | Nineteenth-century opera and the scientific imagination / edited by David Trippett, Benjamin Walton |
| Responsable(s) secondaire(s) |
Trippett, David
: Editeur
Walton, Benjamin
: Editeur
|
| Éditeur(s) |
Cambridge: Cambridge University Press, 2019
|
| Type de document | XV, 381 p. : ill. ; 26 cm |
| Langue du document | Anglais |
| ISBN | 9781107111257 |
| Sujet(s) | |
| Contenu | Pneumotypes : Jean de Reszke's high pianissimos and the occult sciences of breathing / James Q. Davies. - Vocal culture in the age of laryngoscopy / Benjamin Steege. - Operatic fantasies in early nineteenth-century psychiatry / Carmel Raz. - Opera and hypnosis : Victor Maurel's experiments in suggestion with Verdi's Otello / Céline Frigau Manning. - Hearing space in the music of Hector Berlioz / Julia Kursell. - From distant sounds to Aeolian ears : Ernst Kapp's auditory prosthesis / David Trippett. - Wagner, hearing loss, and the urban soundscape of late nineteenth-century Germany / James Deaville. - Science, technology and love in late eighteenth-century opera / Deirdre Loughridge. - Technological phantoms of the opéra / Benjamin Walton. - Circuit listening / Ellen Lockhart. - Excelsior as mass ornament : the reproduction of gesture / Gavin Williams. - Automata, physiology and opera in the nineteenth century / Myles Jackson. - Wagnerian manipulation : Bayreuth and the sciences of the mind / James Kennaway. - Unsound seeds / Alexander Rehding |
| ID interne | 114177 |
| Cote | Ae 9148 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Cambridge: Cambridge University Press, 2019
| Titre | The Cambridge companion to music in digital culture / edited by Nicholas Cook, Monique M. Ingalls, David Trippett |
| Responsable(s) secondaire(s) |
Cook, Nicholas
: Editeur
Ingalls, Monique Marie
: Editeur
Trippett, David
: Editeur
|
| Éditeur(s) |
Cambridge: Cambridge University Press, 2019
|
| Type de document | XIV, 332 p. : ill. ; 25 cm |
| Collection(s) |
Cambridge companions to music
|
| Langue du document | Anglais |
| ISBN | 9781316614075 |
| Sujet(s) | |
| Contenu | 1. Digital technology and cultural practice / Nicholas Cook. - Personal take 1 : whatever happened to tape trading / Lee Marshall. - 2. Towards a digital history of music : new technologies, business practices, and intellectual property regimes / Martin Scherzinger. - Personal take 2 : on serving as an expert witness in the blurred lines case / Ingrid Monson. - 3. Shaping the stream : techniques and troubles of algorithmic recommendation / K. E. Goldschmitt and Nick Seaver. - Personal take 3 : being a curator / Ben Sinclair. - Personal take 4 : can machines have taste / Stéphan-Eloïse Gras. - 4. Technologies of the musical selfie / Sumanth Gopinath and Jason Stanyek. - Personal take 5 : vaporwave is dead, long live vaporwave / Adam Harper. - 5. Witnessing race in the new digital cinema / Peter McMurray. - Personal take 6 : giving history a voice / Mariana Lopez. - 6. Digital devotion : musical multimedia in online ritual and religious practice / Monique M. Ingalls. - Personal take 7 : technicians of ecstasy / Graham St John. - Personal take 8 : live coded mashup with the humming wires / Alan Blackwell and Sam Aaron. - Personal take 9 : algorave : dancing to algorithms / Alex McLean. - 7. Rethinking liveness in a digital age / Paul Sanden. - Personal take 10 : augmenting musical performance / Andrew McPherson. - Personal take 11 : digital demons, real and imagined / Steve Savage. - Personal take 12 : composing with sounds as images / Julio d'Escriván. - Personal take 13 : compositional approaches to film, TV and video games / Stephen Baysted. - 8. Virtual words from recording to video games / Isabella van Elferen. - 9. Digital voices : Posthumanism and the generation of empathy / David Trippett. - Personal take 14 : in the wake of the virtual / Frances Dyson. - 10. Digital inequalities and global sounds / Shzr Ee Tan. - 11. The political economy of streaming / Martin Scherzinger |
| ID interne | 115081 |
| Cote | Ae 1068 |
| Localisation | Dépôt extérieur, à commander en ligne |
Partition
Liszt, Franz
Budapest: Editio Musica, cop. 2019
| Titre | Sardanapalo, atto primo : fragment = töredék / Franz Liszt ; herausgegeben von David Trippett ; Libretto rekonsruiert von Marco Beghelli ; in Zusammenarbeit mit Francesca Vella und David Rosen |
| Auteur | Liszt, Franz |
| Responsable(s) secondaire(s) |
Beghelli, Marco
: Collaborateur
Vella, Francesca
: Collaborateur
Rosen, David
: Collaborateur
Trippett, David
: Editeur
|
| Éditeur(s) |
Budapest: Editio Musica, cop. 2019
|
| Type de document | 1 partition (XXXVI, 141 p.) : fac-sim. ; 31 cm |
| Collection(s) |
Franz Liszt : Neue Ausgabe sämtlicher Werke. Serie IX : Vokalwerke mit Orchester oder mit mehreren Instrumenten ; 2
|
| Langue du document | Allemand, Anglais, Hongrois |
| N° d'opus | S 687 |
| Langue chantée | Italien |
| Numéro d'édition | Z. 20017 A |
| Notes | Notes critiques en fin de volume en anglais |
| Oeuvre(s) | |
| ID interne | 122726 |
| Cote | Aa 53/9/2 |
| PRET EXCLU | |
| Localisation | Dépôt extérieur, à commander en ligne |