Livre
Cambridge: Cambridge University Press, 2019
| Titre | Nineteenth-century opera and the scientific imagination / edited by David Trippett, Benjamin Walton |
| Responsable(s) secondaire(s) |
Trippett, David
: Editeur
Walton, Benjamin
: Editeur
|
| Éditeur(s) |
Cambridge: Cambridge University Press, 2019
|
| Type de document | XV, 381 p. : ill. ; 26 cm |
| Langue du document | Anglais |
| ISBN | 9781107111257 |
| Sujet(s) | |
| Contenu | Pneumotypes : Jean de Reszke's high pianissimos and the occult sciences of breathing / James Q. Davies. - Vocal culture in the age of laryngoscopy / Benjamin Steege. - Operatic fantasies in early nineteenth-century psychiatry / Carmel Raz. - Opera and hypnosis : Victor Maurel's experiments in suggestion with Verdi's Otello / Céline Frigau Manning. - Hearing space in the music of Hector Berlioz / Julia Kursell. - From distant sounds to Aeolian ears : Ernst Kapp's auditory prosthesis / David Trippett. - Wagner, hearing loss, and the urban soundscape of late nineteenth-century Germany / James Deaville. - Science, technology and love in late eighteenth-century opera / Deirdre Loughridge. - Technological phantoms of the opéra / Benjamin Walton. - Circuit listening / Ellen Lockhart. - Excelsior as mass ornament : the reproduction of gesture / Gavin Williams. - Automata, physiology and opera in the nineteenth century / Myles Jackson. - Wagnerian manipulation : Bayreuth and the sciences of the mind / James Kennaway. - Unsound seeds / Alexander Rehding |
| ID interne | 114177 |
| Cote | Ae 9148 |
| Localisation | Dépôt extérieur, à commander en ligne |