Livre
Clarke, Eric F.
Oxford: Oxford University Press, 2005
| Titre | Ways of listening : an ecological approach to the perception of musical meaning / Eric F. Clarke |
| Auteur | Clarke, Eric F. |
| Éditeur(s) |
Oxford: Oxford University Press, 2005
|
| Type de document | 237 p. ; 22 cm |
| Langue du document | Anglais |
| ISBN | 9780199773909 |
| Notes | Contient une analyse du premier mouvement du quatuor à cordes opus 132 en la mineur de Ludwig van Beethoven. Bibliogr. : p. 215-229 |
| Oeuvre(s) |
Beethoven, Ludwig van :[Quatuors. Cordes. Op. 132. La mineur]. Extrait. Analyse
|
| Sujet(s) | |
| ID interne | 118023 |
| Cote | Ae 16843 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Chur [etc]: Harwood, 1989
| Titre | Music, mind and structure : formal structures and psychological processes in music |
| Responsable(s) secondaire(s) |
Clarke, Eric F.
: Editeur
Emmerson, Simon
: Editeur
|
| Éditeur(s) |
Chur [etc]: Harwood, 1989
|
| Collection(s) |
Contemporary music review ; 3/1
|
| Langue du document | Anglais |
| ISBN | 3718648792 |
| Notes | Contemporary music review, vol. 3, part 1 |
| Sujet(s) | |
| ID interne | 14500 |
| Cote | Ae 6568 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Oxford ; New York: Oxford University Press, 2004
| Titre | Empirical musicology : aims, methods, prospects / edited by Eric Clarke and Nicholas Cook |
| Responsable(s) secondaire(s) |
Clarke, Eric F.
: Editeur
Cook, Nicholas
: Editeur
|
| Éditeur(s) |
Oxford ; New York: Oxford University Press, 2004
|
| Type de document | VIII, 229 p. : ill. ; 25 cm |
| Langue du document | Anglais |
| ISBN | 0195167503 |
| Sujet(s) | |
| Contenu | Introduction : What is empirical musicology? / Nicholas Cook and Eric Clarke -- Documenting the musical event : observation, participation, representation / Jonathan Stock -- Musical practice and social structure : a toolkit / Tia DeNora -- Music as social behavior / Jane Davidson -- Empirical methods in the study of performance / Eric Clarke -- Computational and comparative musicology / Nicholas Cook -- Modeling musical structure / Anthony Pople -- Analyzing musical sound / Stephen McAdams, Phillipe Depalle, and Eric Clarke -- Data collection, experimental design, and statistics in musical research / Luke Windsor. |
| ID interne | 52741 |
| Cote | Ae 11913 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Oxford: Oxford University Press, 2011
| Titre | Music and consciousness : philosophical, psychological and cultural perspectives / edited by David Clarke, Eric Clarke |
| Responsable(s) secondaire(s) |
Clarke, Eric F.
: Editeur
Clarke, David
: Editeur
|
| Éditeur(s) |
Oxford: Oxford University Press, 2011
|
| Type de document | XXIV, 384 p. : mus. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9780199553792 |
| Sujet(s) | |
| Contenu | 1. Music, phenomenology, time consciousness: meditations after Husserl / David Clarke ; 2. Phenomenology and the hard problems of consciousness and music / Eugene Montague ; 3. Technicity, consciousness, and musical objects / Michael Gallope ; 4. Listening, consciousness, and the charm of the universal : what it feels like for a Lacanian / Ian Biddle ; 5. Enactive consciousness, intertextuality, and musical free improvisation : deconstructing mythologies and finding connections / Bennett Hogg ; 6. The music of what happens : meditation and music as movement / Ansuman Biswas ; 7. In the heard, only the heard... : music, consciousness, and Buddhism / Bethany Lowe ; 8. North Indian classical music and its links with consciousness : the case of Dhrupad / David Clarke and Tara Kini ; 9. From formalism to experience : a Jamesian perspective on music, computing, and consciousness / Meurig Beynon ; 10. Music, language, and kinds of consciousness / Lawrence Zbikowski ; 11. Music perception and musical consciousness / Eric Clarke ; 12. Towards a theory of proprioception as a bodily basis for consciousness in music / Alicia Peñalba Acitores ; 13. Sound-action awareness in music / Rolf Inge Godoy ; 14. Music, consciousness, and the brain : music as shared experience of and embodied present / Andy McGuiness and Katie Overy ; 15. Drugs, altered states, and musical consciousness : reframing time and space / Jorg Fachner ; 16. Music and ayahuasca / Benny Shanon ; 17. Consciousness and everyday music listening : trancing, dissociaiton, and absorption / Ruth Herbert ; 18. Practical Consciousness and Social relation in MusEcological perspective / Tia DeNora ; 19. Public consciousness, political conscience, and memory in Latin American nueva cancion / Richard Elliott ; 20. The Psychic disintegration of a demi-god : conscious and unconscious in Striggio and Monteverdi's L'Orfeo / Jeffrey Kurtzman |
| ID interne | 106043 |
| Cote | Ae 16125 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Cambridge [etc.]: Cambridge University Press, 2009
| Titre | The Cambridge companion to recorded music / edited by Nicholas Cook... [et al.] |
| Responsable(s) secondaire(s) |
Cook, Nicholas
: Editeur
Clarke, Eric F.
: Editeur
Leech-Wilkinson, Daniel
: Editeur
Rink, John
: Editeur
|
| Éditeur(s) |
Cambridge [etc.]: Cambridge University Press, 2009
|
| Type de document | XVII, 359 p. : ill. ; 25 cm |
| Collection(s) |
Cambridge companions to music
|
| Langue du document | Anglais |
| ISBN | 9780521684613 |
| Notes | Bibliogr. : p. 329-344. Discogr. : p. 345-348. Index |
| Sujet(s) | |
| Contenu | Personal takes: learning to live with recording / Susan Tomes ; A short take in praise of long takes / Peter Hill ; Performing for (and against) the microphone / Donald Greig ; Personal takes: producing a credible voice / Mike Howlett ; 'It could have happened': the evolution of music construction / Steve Savage ; Recording practices and the role of the producer Andrew Blake ; Personal takes: still small voices Jonathan / Freeman-Attwood ; Broadening horizons: 'performance' in the studio / Michael Haas ; Getting sounds: the art of sound engineering / Albin Zak ; Personal takes: limitations and creativity in recording and performance / Martyn Ware ; Records and recordings in post-punk England, 1978–80 / Richard Witts ; The politics of the recording studio / Louise Meintjes ; Personal take: from Lanza to Lassus / Tully Potter ; From wind-up to iPod: techno-cultures of listening / Arild Bergh and Tia DeNora ; Personal take: a matter of circumstance: on experiencing recordings / Martin Elste ; Selling sounds: recordings and the music business / David Patmore ; Personal take: revisiting concert life in mid-century: the survival of acetate discs / Lewis Foreman ; The development of recording technologies / George Brock-Nannestad ; Personal takes: raiders of the lost archive / Roger Beardsley ; The original cast recording of West Side Story /Nigel Simeone ; The recorded document: interpretation and discography / Simon Trezise ; Personal takes: one man's approach to remastering / Ted Kendall ; Technology, the studio, music / Nick Mason ; Reminder: a recording is not a performance / Roger Heaton ; Methods for analysing recordings / Nicholas Cook ; Recordings and histories of performance style / Daniel Leech-Wilkinson ; Personal take: recreating history: a clarinettist's perspective / Colin Lawson ; Going critical. Writing about recordings / Simon Frith ; Personal take: something in the air / Chris Watson ; Afterword: from reproduction to representation to remediation / Georgina Born |
| ID interne | 78762 |
| Cote | Ae 13930 |
| Localisation | Dépôt extérieur, à commander en ligne |