Livre
Talbot, Michael
Farnham ; Burlington: Ashgate, cop. 2009
| Titre | Aspects of the secular cantata in late Baroque Italy / edited by Michael Talbot |
| Auteur | Talbot, Michael |
| Éditeur(s) |
Farnham ; Burlington: Ashgate, cop. 2009
|
| Type de document | XXVI, 425 p. : ill., mus. ; 25 cm |
| Langue du document | Anglais |
| ISBN | 9780754657941 |
| Notes | Bibliogr. : p. [371]-391. Index |
| Sujet(s) | |
| Contenu | The when and how of arioso in Stradella's cantatas / Carolyn Gianturco ; A lost volume of cantatas and serenatas from the "Original Stradella collection" / Colin Timms ; Narration, mimesis and the question of genre: dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14 / Hendrik Schulze ; A tale of two cities: cantata publication in Bologna and Venice, c.1650-1700 / Reinmar Emans ; "Al tavolino medesimo del compositor della musica": notes on text and context in Alessandro Scarlatti's cantate da camera / Norbert Dubowy ; Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells) / Lowell Lindgren ; The "humble" and "sublime" genres, the pastoral and heroic styles: rhetorical metamorphoses in Benedetto Marcello's cantatas / Marco Bizzarini ; Giulia Veneziano investigations into the cantata in Naples during the first half of the eighteenth century: the cantatas by Leonardo Vinci contained in a "Neapolitan' manuscript" / Giulia Veneziano ; The "orchestral" French cantata (1706-1730): performance, edition and classification of a neglected repertory / Graham Sadler ; Patterns and strategies of modulation in cantata recitatives / Michael Talbot ; "Imitando" arietta, ò altro allegro, cantato di fresco": keyboard realization in Italian continuo arias / Giulia Nuti - The revival of the Italian chamber cantata on disc: models and trends / Roger-Claude Traver |
| ID interne | 74085 |
| Cote | Ae 13513 |
| Localisation | Dépôt extérieur, à commander en ligne |