Livre
Farnham: Ashgate, 2015
| Titre | Mendelssohn / edited by Benedict Taylor |
| Responsable(s) secondaire(s) |
Taylor, Benedict
: Editeur
|
| Éditeur(s) |
Farnham: Ashgate, 2015
|
| Type de document | XXVIII, 525 p. : ill. ; 25 cm |
| Collection(s) |
The early romantic composers
|
| Langue du document | Anglais |
| ISBN | 9781472435392 |
| Sujet(s) | |
| Contenu | Carl Dahlhaus (1974), Vorwort and Mendelssohn und die musikalische Gattungstradition, in Carl Dahlhaus (ed.), Das Problem Mendelssohn, Regensburg : Bosse, pp. 7--9, 55--60, trans. Benedict Taylor as Foreword and Mendelssohn and the Traditions of Musical Genre (new translation) ; Leon Botstein (2001), Neoclassicism, Romanticism, and Emancipation : The Origins of Felix Mendelssohn's Aesthetic Outlook, in Douglass Seaton (ed.), The Mendelssohn Companion, Westport, CT and London : Greenwood Press, pp. 1--27 ; Lawrence Kramer (1992), Felix culpa : Goethe and the Image of Mendelssohn, in R. Larry Todd (ed.), Mendelssohn Studies, Cambridge : Cambridge University Press, pp. 64--79 ; Judith Silber Ballan (1992), Marxian Programmatic Music : A Stage in Mendelssohn's Musical Development, in R. Larry Todd (ed.), Mendelssohn Studies, Cambridge : Cambridge University Press, pp. 149--61 ; Douglass Seaton (1997), The Problem of the Lyric Persona in Mendelssohn's Songs, in Christian Martin Schmidt (ed.), Felix Mendelssohn Bartholdy : Kongress-Bericht Berlin 1994, Wiesbaden : Breitkopf & Hartel, pp. 167--86 ; James Garratt (1999), Mendelssohn's Babel : Romanticism and the Poetics of Translation, Music & Letters, 80, pp. 23--49 ; Friedhelm Krummacher (1974), Zur Kompositionsart Mendelssohn : Thesen am Beispiel der Streichquartette, in Carl Dahlhaus (ed.), Das Problem Mendelssohn, Regensburg : Bosse, pp. 169--84, trans. Douglass Seaton as On Mendelssohn's Compositional Style : Propositions Based on the Example of the String Quartets, in Douglass Seaton (ed.), The Mendelssohn Companion, Westport, CT and London : Greenwood Press, 2001, pp. 551--68 ; R.M. Longyear (1979), Cyclic Form and Tonal Relationships in Mendelssohn's Scottish Symphony, In Theory Only, 4, pp. 38--48 ; Greg Vitercik (1989), Mendelssohn the Progressive, Journal of Musicological Research, 8, pp. 333--74 ; William Rothstein (1989), Mendelssohn : Songs without Words, in Phrase Rhythm in Tonal Music, New York : Schirmer, pp. 183--213 ; John Michael Cooper (1992), Aber eben dieser Zweifel : A New Look at Mendelssohn's Italian Symphony, 19th-century Music, 15, pp. 169--87 ; Mark Evan Bonds (1996), The Flight of Icarus : Mendelssohn's Lobgesang, in After Beethoven : Imperatives of Originality in the Symphony, Cambridge, MA : Harvard University Press, pp. 73--108 ; R. Larry Todd (1984), Mendelssohn's Ossianic Manner, with a New Source : On Lena's Gloomy Heath, in Jon Finson and R. Larry Todd (eds), Mendelssohn and Schumann, Durham, NC : Duke University Press, pp. 137--60 ; John Toews (1994), Musical Historicism and the Transcendental Foundations of Community : Mendelssohn's Lobgesang and the Christian-German Cultural Politics of Frederick William IV, in Michael S. Roth (ed.), Rediscovering History : Culture, Politics, and the Psyche, Stanford : Stanford University Press, pp. 183--201 ; Michael P. Steinberg (2004), Mendelssohn's Canny Histories, in Listening to Reason : Culture, Subjectivity, and Nineteenth-Century Music, Princeton : Princeton University Press, pp. 97--122 ; Peter Mercer-Taylor (1995), Mendelssohn's Scottish Symphony and the Music of German Memory, 19th-century Music, 19, pp. 68--82 ; Thomas S. Grey (2000), Fingal's Cave and Ossian's Dream : Music, Image, and Phantasmagoric Audition, in Marsha L. Morton and Peter L. Schmunk (eds), The Arts Entwined : Music and Painting in the Nineteenth Century, New York : Garland, pp. 63--99 ; Donald Mintz (1992), 1848, Anti-Semitism, and the Mendelssohn Reception, in R. Larry Todd (ed.), Mendelssohn Studies, Cambridge : Cambridge University Press, pp. 126--48 ; Paul Jourdan (2000), The Hidden Pathways of Assimilation : Mendelssohn's First Visit to London, in Christina Bashford and Leanne Langley (eds), Music and British Culture, 1785--1914 : Essays in Honour of Cyril Ehrlich, Oxford : Oxford University Press, pp. 99--119 ; Jeffrey S. Sposato (1998), Creative Writing : The Self- Identification of Mendelssohn as Jew, Musical Quarterly, 82, 190--209 ; Thomas Schmidt-Beste (2002), Just how Scottish is the Scottish Symphony? Thoughts on Form and Poetic Content in Mendelssohn's Opus 56, in John Michael Cooper and Julie D. Prandi (eds), The Mendelssohns : Their Music in History, Oxford : Oxford University Press, pp. 147--65 ; Marian Wilson Kimber (2002), The Composer as Other : Gender and Race in the Biography of Felix Mendelssohn, in John Michael Cooper and Julie D. Prandi (eds), The Mendelssohns : Their Music in History, Oxford : Oxford University Press, pp. 335--51 |
| ID interne | 101719 |
| Cote | Ae 15843 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
New York: Oxford University Press, 2020
| Titre | Rethinking Mendelssohn / edited by Benedict Taylor |
| Responsable(s) secondaire(s) |
Taylor, Benedict
: Editeur
|
| Éditeur(s) |
New York: Oxford University Press, 2020
|
| Type de document | XXIII, 506 p. : ill. ; 26 cm |
| Langue du document | Anglais |
| ISBN | 9780190611781 |
| Sujet(s) | |
| ID interne | 118843 |
| Cote | Ae 16892 |
| Localisation | Dépôt extérieur, à commander en ligne |