Livre
Milsom, David
Aldershot ; Burlington: Ashgate, cop. 2003
| Titre | Theory and practice in late nineteenth-century violin performance : an examination of style in performance, 1850-1900 / David Milsom |
| Auteur | Milsom, David |
| Éditeur(s) |
Aldershot ; Burlington: Ashgate, cop. 2003
|
| Type de document | VI, 287 p. : mus. ; 25 cm + 1 disque compact |
| Langue du document | Anglais |
| ISBN | 0754607569 |
| Notes | Bibliogr. : p. [263]-270 ; Discograph. : p. [271]-274. |
| Sujet(s) | |
| ID interne | 52553 |
| Cote | Ae 11898 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Milsom, David
Rochester: The Boydell Press, 2020
| Titre | Romantic violin performing practices : a handbook / David Milsom |
| Auteur | Milsom, David |
| Éditeur(s) |
Rochester: The Boydell Press, 2020
|
| Type de document | x, 319 p. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9781783275274 |
| Sujet(s) | |
| ID interne | 126318 |
| Cote | Be 648 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Burlington: Ashgate, 2011
| Titre | Classical and romantic music / ed. by David Milsom |
| Responsable(s) secondaire(s) |
Milsom, David
: Editeur
|
| Éditeur(s) |
Burlington: Ashgate, 2011
|
| Type de document | XXXII, 495 p. : mus. ; 25 cm |
| Collection(s) |
The library of essays on music performance practice
|
| Langue du document | Anglais |
| ISBN | 9780754628590 |
| Sujet(s) | |
| Contenu | Performing classical repertoire : the unbridgeable gulf between contemporary practice and historical reality / by Clive Brown. - Mozart as early music : a romantic antidote / Laurence Dreyfus. - Listening and responding to the evidence of early twentieth-century performance / Daniel Leech-Wilkinson. - Mathis Lussy's Traité de l'expression musicale as a window into performance practice / Michael D. Green. - Quantz's unegal : implications for the performance of 18th-century music / Claire A. Fontijn. - The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics / Dorottya Fabian. - Towards a Verdian ideal of singing : emancipation from modern orthodoxy / Roger Freitas. - Brahm's pianos and the performance of his late piano works / Camilla Cai. - The orchestra in Beethoven's Vienna / Clive Brown. - Mozart's Viennese orchestras / Dexter Edge. - Rejected traditions : ensemble placement in nineteenth-century Paris / Donna M. di Grazia. - Style and sonority in Wagner string performance / David Milsom. - The origins of the ideology of authenticity in interpretation : Mendelssohn, Berlioz and Wagner as conductors / José Antonio Bowen. - Historical performance, metronome marks and tempo in Beethoven's symphonies / Clive Brown. - The case of compensating rubato / Sarah Martin. - Tempo as an expressive element in the late romantic lied / by Edward F. Kravitt. - New light on late eighteenth-century tempo : William Crotch's pendulum markings / Emanuel Rubin. - Dots and strokes in late 18th and 19th century music / Clive Brown. - The expressive pause : punctuation, rests and breathing in England, 1770-1850 / Robert Toft. - Beggar at the door : the rise and fall of portamento in singing / by John Potter. - Bowing styles, vibrato and portamento in nineteenth-century violin playing / Clive Brown. - Portamento and the phonograph effect / Mark Katz |
| ID interne | 86792 |
| Cote | Ae 14402 |
| Localisation | Dépôt extérieur, à commander en ligne |