Livre
New York: Oxford University Press, 2019
| Titre | Performing knowledge : twentieth-century music in analysis and performance / Daphne Leong ; with Alejandro Cremaschi... [et al] |
| Responsable(s) secondaire(s) |
Leong, Daphne
: Editeur
|
| Éditeur(s) |
New York: Oxford University Press, 2019
|
| Type de document | XVIII, 412 p. : mus. ; 27 cm |
| Collection(s) |
Oxford studies in music theory
|
| Langue du document | Anglais |
| ISBN | 9780190653545 |
| Sujet(s) | |
| Contenu | Determination of structure : Performers' voices on Ravel's Concerto pour la main gauche / with David Korevaar, pianist. - Creation of structure : Interpreting Schoenberg's Klavierstück, op. 19, no. 4 / with Hunter Ewen, composer. - Understanding of structure : Performed rhythm at the center of Bartok's Fifth string quartet / with the Takacs Quartet. - Story in structure : Schnittke's Piano quartet and the attempt to remember / with Judith Glyde, cellist. - Poetry in structure : Counterpointing motion in Milhaud's Aurore / with Adam Ewing, baritone. - Drama in structure : Enacting ritual and drama : the two pianos of Messiaen's Visions de l'Amen / with Alejandro Cremaschi, pianist. - Script versus structure : Virtuosity in Babbitt's Lonely flute, with reflections on process / with Elizabeth McNutt, flute. - Performing with structure : Local frictions and long-range connections in Carter's Changes for guitar / Jonathan Leathwood, guitarist, with Leong. - Reception and structure : Morris's Clear sounds, audiences, and new music / with Robert Morris, composer |
| ID interne | 115058 |
| Cote | Ae 156 |
| Localisation | Dépôt extérieur, à commander en ligne |