Livre
Farnham ; Burlington: Ashgate, cop. 2009
| Titre | Masculinity and Western musical practice / ed. by Ian Biddle and Kirsten Gibson |
| Responsable(s) secondaire(s) |
Biddle, Ian D.
: Editeur
Gibson, Kirsten
: Editeur
|
| Éditeur(s) |
Farnham ; Burlington: Ashgate, cop. 2009
|
| Type de document | XIII, 333 p. : ill. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9780754662396 |
| Sujet(s) | |
| Contenu | Section 1 : Effeminate and virile musics and masculinities. Music and masculity in the Middle Ages ; Music, melancholy, and masculinity in early modern Englang ; Of Mars I sing : Monteverdi voicing virility ; Haydn and the consequences of presumed effeminacy ; Virile music by Hector Berlioz. Section 2 : National masculinities, national musics. Gendered reception of Brahm : masculinity, nationalism and musical politics ; Aspiring to manliness : Edward Elgar and the pressures of hegemonic masculinity ; "I am blessed with fruit" : masculinity, androgyny and creavity in early twenieth-century German music ; Hellenism, the divine and ideal masculinity in Manuel de Falla's "Atlántida". Section 3 : Identities, voices, discourses. Knives and tears: representations of masculinity in late nineteenth-century Italian opera ; Caught in the silken throat: modernist investments in the male vocal fetish ; Hermaphrodism and the masculine body : Tippett's aesthetic views in a gendered context |
| ID interne | 76061 |
| Cote | Ae 13735 |
| Localisation | Dépôt extérieur, à commander en ligne |