Livre
Farnham: Ashgate, cop. 2012
| Titre | Music and identity politics / ed. by Ian Biddle |
| Responsable(s) secondaire(s) |
Biddle, Ian D.
: Editeur
|
| Éditeur(s) |
Farnham: Ashgate, cop. 2012
|
| Type de document | XXIV, 524 p. ;25 cm |
| Collection(s) |
The library of essays on music, politics and society
|
| Langue du document | Anglais |
| ISBN | 9781409430384 |
| Sujet(s) | |
| Contenu | Part I, Gender and Sexuality : Sic ego te dilegebam : music, homoeroticism and the sacred in early modern Europe / Todd M. Borgerding ; On a lesbian relationship with music : a serious effort not to think straight / Suzanne G. Cusick ; Introduction : voice, queer, technologies / Freya Jarman-Ivens ; Masculine discourse in music theory / Fred Everett Maus ; Introduction : a material girl in Bluebeard’s castle / Susan McClary ; Negotiating masculinity in an Indonesian pop song : Doel Sumbang's Ronggeng / Henry Spiller. Part II, Race : Dancing with the enemy : Cuban popular music, race, authenticity, and the world-music landscape / Deborah Pacini Hernandez ; The Yiddish are coming / Josh Kun ; Are you afraid of the mix of black and white? Hip hop and the spectacular politics of race / Russell A. Potter ; Béla Bartók and the rise of comparative ethnomusicology : nationalism, race purity, and the legacy of the Austro-Hungarian empire / Katie Trumpener. Part III, Social Identities : The final borderpost / Philip V. Bohlman ; Social stratification and cultural consumption : music in England / Tak Wing Chan and John H. Goldthorpe ; At the twilight’s last scoring / Anahid Kassabian ; That’s my blood down there / George Lipsitz ; Losing... my religion : music, disability, gender and Jewish and Islamic law / Alex Lubet ; Politics, identity, and nostalgia in Nigerian music : a study of Victor Olaiya’s highlife / Bode Omojola ; The Qur’ân in Indonesian daily life : the public project of musical oratory / Anne K. Rasmussen ; Music and the global order / Martin Stokes |
| ID interne | 91139 |
| Cote | Ae 14751 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Farnham ; Burlington: Ashgate, cop. 2009
| Titre | Masculinity and Western musical practice / ed. by Ian Biddle and Kirsten Gibson |
| Responsable(s) secondaire(s) |
Biddle, Ian D.
: Editeur
Gibson, Kirsten
: Editeur
|
| Éditeur(s) |
Farnham ; Burlington: Ashgate, cop. 2009
|
| Type de document | XIII, 333 p. : ill. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9780754662396 |
| Sujet(s) | |
| Contenu | Section 1 : Effeminate and virile musics and masculinities. Music and masculity in the Middle Ages ; Music, melancholy, and masculinity in early modern Englang ; Of Mars I sing : Monteverdi voicing virility ; Haydn and the consequences of presumed effeminacy ; Virile music by Hector Berlioz. Section 2 : National masculinities, national musics. Gendered reception of Brahm : masculinity, nationalism and musical politics ; Aspiring to manliness : Edward Elgar and the pressures of hegemonic masculinity ; "I am blessed with fruit" : masculinity, androgyny and creavity in early twenieth-century German music ; Hellenism, the divine and ideal masculinity in Manuel de Falla's "Atlántida". Section 3 : Identities, voices, discourses. Knives and tears: representations of masculinity in late nineteenth-century Italian opera ; Caught in the silken throat: modernist investments in the male vocal fetish ; Hermaphrodism and the masculine body : Tippett's aesthetic views in a gendered context |
| ID interne | 76061 |
| Cote | Ae 13735 |
| Localisation | Dépôt extérieur, à commander en ligne |