Livre
Brown, Julie
Aldershot ; Burlington: Ashgate, cop. 2007
| Titre | Bartók and the grotesque : studies in modernity, the body and contradiction in music / Julie Brown |
| Auteur | Brown, Julie |
| Éditeur(s) |
Aldershot ; Burlington: Ashgate, cop. 2007
|
| Type de document | IX, 182 p. : ill., mus. ; 25 cm |
| Collection(s) |
Royal Musical Association monographs ; 16
|
| Langue du document | Anglais |
| ISBN | 0754657774 |
| Notes | Bibliogr. : p. [172]-177. Index |
| Sujet(s) | |
| ID interne | 66297 |
| Cote | Ae 12774 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Brown, Julie
cambridge: Cambridge University Press, 2014
| Titre | Schoenberg and Redemption / Julie Brown |
| Auteur | Brown, Julie |
| Éditeur(s) |
cambridge: Cambridge University Press, 2014
|
| Type de document | 259 p. : ill. ; 25 cm |
| Collection(s) |
New perspectives in music history and criticism
|
| Langue du document | Anglais |
| ISBN | 9780521550352 |
| Sujet(s) | |
| ID interne | 127114 |
| Cote | Be 755 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Cambridge [etc.]: Cambridge University Press, 2007
| Titre | Western music and race / edited by Julie Brown |
| Responsable(s) secondaire(s) |
Brown, Julie
: Editeur
|
| Éditeur(s) |
Cambridge [etc.]: Cambridge University Press, 2007
|
| Type de document | XXII, 285 p. ; 26 cm |
| Langue du document | Anglais |
| ISBN | 9780521838870 |
| Sujet(s) | |
| Contenu | Preface : Music, history, trauma : western music and race 1883-1933 / Julie Brown ; Erasure : displacing and misplacing race in twentieth-century music historiography / Philip V. Bohlman ; Secrets, lies, and transcriptions : revisions on race, black music and culture / Guthrie P. Ramsey, Jnr. ; 'Gypsy Violins' and 'Hot Rhythms' : race, popular music and governmentality / Brian Currid ; The concept of race in German musical discourse / Pamela M. Potter ; Strange love, or, How we learnt to stop worrying and love Wagner's Parsifal / John Deathridge ; Otto Weininger and musical discourse in turn-of-the-century Vienna / Julie Brown ; Ancestral voices : anti-Semitism and Ernest Bloch's racial theories of art / Klara Moricz ; Percy Grainger and the American Nordicists / Malcolm Gillies and David Pear ; Race and hybridity : Kaikhosru Sorabji's 'Oriental Orientalism' / Nalini Ghuman Gwynne ; Race, identity, and difference: musical acclimatisation and the Chansons populaires in Third Republic France / Jann Pasler ; The anti-Semitic strain in German writing on music : 1900-1933 / Erik Levi ; Italian music and racial discourses during the Fascist Period / Roberto Illiano and Massimiliano Sala ; Romanticism, technology, and the masses : Honegger and the aesthetic allure of French Fascism / Jane F. Fulcher ; The concept of race in Spanish musical literature (1915-1936) / Gemma Perez-Zalduondo ; Manuel de Falla, flamenco and Spanish identity / Michael Christoforidis ; 'The old sweet Anglo-Saxon spell' : racial discourses and the American reception of British music 1895-1945 / Alain Frogley ; Re-thinking the Revue negre : the critical reception of black musical shows in twenties' and thirties' Paris / Andy Fry |
| ID interne | 69921 |
| Cote | Ae 13151 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Oxford: Oxford University Press, 2013
| Titre | The sounds of the silents in Britain / edited by Julie Brown and Annette Davison |
| Responsable(s) secondaire(s) |
Brown, Julie
: Editeur
Davison, Annette
: Editeur
|
| Éditeur(s) |
Oxford: Oxford University Press, 2013
|
| Type de document | XIV, 334 p. : ill. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9780199797547 |
| Sujet(s) | |
| Contenu | Part I : Speaking to Pictures : 1. Professional Lecturing in Early British Film Shows / Joe Kember ; 2. "Now, where were we?" Ideal and Actual Early Cinema Lecturing Practices in Britain, Germany and the US / Judith Buchanan ; 3. Eric Williams : Speaking to Pictures / Stephen Bottomore ; 4. Sounding Scottish : Sound Practices and Silent Cinema in Scotland / Trevor Griffiths ; Part II : Accompanying pictures : 5. Suitable music : Accompaniment Practice in Early London Screen Exhibition from R. W. Paul to the Picture Palaces / Ian Christie ; 6. The Art of Not Playing to Pictures in British Cinemas, 1906-1914 / Jon Burrows ; 7. The efforts of the wretched pianist : Learning to Play to the Pictures in Britain, 1911-1913 / Andrew Higson ; 8. The Reception of British Exhibition Practices in The Moving Picture World, 1907-1914 / James Buhler ; Part III : Performance in cinemas : 9. Selsior Dancing Films, 1912-1917 / Stephen Bottomore ; 10. Song Performance in the Early Sound Shorts of British Pathé / Derek B. Scott ; 11. Atmospheric Film Prologues and the British Film Trade Papers, 1919-1926 / Julie Brown ; 12. Animating the Audience : Singalong Films in Britain in the 1920s / Malcolm Cook ; Part IV : Musicians, Companies and Institutions : 13. Workers' Rights and Performing Rights : Cinema Music and Musicians Prior to Synchronized Sound / Annette Davison ; 14. Sound at the Film Society / John Riley ; 15. Edmund Meisel's visual sound in The Crimson Circle (1929) : The Case of the Vanishing Part-Talkie / Fiona Ford |
| ID interne | 106050 |
| Cote | Ae 16132 |
| Localisation | Dépôt extérieur, à commander en ligne |