Livre
The emotional power of music : multidusciplinary perspectives on musical arousal, expression, and social control / edited by Tom Cochrane, Bernardino Fantini, Klaus R. Scherer
| Titre | The emotional power of music : multidusciplinary perspectives on musical arousal, expression, and social control / edited by Tom Cochrane, Bernardino Fantini, Klaus R. Scherer |
| Responsable(s) secondaire(s) |
Cochrane, Tom
: Editeur
Fantini, Bernardino
: Editeur
Scherer, Klaus Rainer
: Editeur
|
| Éditeur(s) |
Oxford: Oxford University Press, 2013
|
| Type de document | X, 381 p. : ill. ; 26 cm |
| Collection(s) |
Series in affective science
|
| Langue du document | Anglais |
| ISBN | 9780199654888 |
| Sujet(s) | |
| Contenu | Section I : Musical Expressiveness : 1. Tom Cochrane : Section Introduction ; 2. Michael Spitzer : Sad Flowers : Analysing affective trajectory in Schubert's Trockne Blumen ; 3. Tom Cochrane : Composing the expressive qualities of music : Interviews with Jean-Claude Risset, Carter Burwell & Brian Ferneyhough ; 4. Daniel Leech-Wilkinson : The emotional power of musical performance ; 5. Klaus R. Scherer : The singer's paradox : On authenticity in emotional expression on the opera stage ; 6. Tom Cochrane : On the resistance of the instrument ; 7. Christine Jeanneret : Gender Ambivalence and the Expression of Passions in the Performances of Early Roman Cantatas by Castrati and Female Singers ; 8. Claude Palisca (translated by Kirsten Jafflin) : The ethos of modes during the Renaissance ; Section II : Emotion Elicitation : 9. Klaus R. Scherer : Section Introduction ; 10. Klaus R. Scherer & Eduardo Coutinho : How music creates emotion : A multifactorial process approach ; 11. Luca Zoppelli : Mors stupebit : multiple levels of fear-arousing mechanisms in Verdi's Messa da Requiem ; 12. Jenefer Robinson : Three theories of emotion - three routes for musical arousal ; 13. Stephen Davies : Music-to-listener emotional contagion ; 14. Joel Krueger : Empathy, enaction and shared musical experience : Evidence from infant cognition ; 15. Lincoln John Colling & William Forde Thompson : Music, action, and affect ; 16. Wiebke Trost & Patrik Vuilleumier : Rhythmic entertainment as a mechanism for emotion induction and contagion by music : A neurophysiological perspective ; 17. Stefan Koelsch : Striking a chord in the brain : Neurophysiological correlates of music-evoked positive emotions ; Section III : The Powers of Music : 18. Bernardino Fantini : Section Introduction ; 19. Bernardino Fantini (translated by Kirsten Jafflin) : Forms of thought between music and science ; 20. Laurence Wuidar (translated by Kirsten Jafflin) : Control and the science of affect : Music and power in the Medieval and Rennaisance periods ; 21. Brenno Boccadoro (translated by Kirsten Jafflin) : The psychotropic power of music during the Renaissance ; 22. Penelope Gouk : Music as a means of social control : some examples of practice and theory in early modern Europe ; 23. Jackie Pigeaud (translated by Kirsten Jafflin) : The tradition of ancient music therapy in the 18th century ; 24. Jean Starobinski (translated by Kirsten Jafflin) : On nostalgia ; 25. Ulrik Volgsten : Emotions, identity and copyright control : The constitutive role of affect attunement and its implications for the ontology of music |
| ID interne | 96789 |
| Cote | Ae 15282 |
| Localisation | Dépôt extérieur, à commander en ligne |