Livre
Studies in seventeenth-century opera / ed. by Beth L. Glixon
| Titre | Studies in seventeenth-century opera / ed. by Beth L. Glixon |
| Responsable(s) secondaire(s) |
Glixon, Beth Lise
: Editeur
|
| Éditeur(s) |
Burlington: Ashgate, 2010
|
| Type de document | XXXIII, 479 p. : mus. ; 25 cm |
| Collection(s) |
The Ashgate library of essays in opera studies ; 1
|
| Langue du document | Anglais |
| ISBN | 9780754629016 |
| Sujet(s) | |
| Contenu | Singing Orfeo : on the performers of Monteverdi's first opera / Tim Carter. Training a singer for Musica Recitativa in early 17th-century Italy : the case of Baldassare / John Walter Hill. Re-voicing Arianna (and laments) : two women respond / Suzanne G. Cusick. Monteverdi's mimetic art : L'incoronazione di Poppea, Ellen Rosand; Tacitus incognito: opera as history in L'incoronazione di Poppea / Wendy Heller. Didone by Cavalli and Busenello : from the sources to modern productions / Dinko Fabris. Censoring Eliogabalo in 17th-century Venice / Mauro Calcagno. La sirena antica dell'Adriatico : Caterina Porri, a 17th-century Roman prima donna on the stages of Venice, Bologna and Pavia / Beth L. Glixon. Dances from the 'four corners of the Earth' : exoticism in 17th-century Venetian opera / Irene Alm. On the road with the 'suitcase aria' : the transmission of borrowed arias in late 17th-century Italian opera revivals / Jennifer Williams Brown. Why the first opera given in Paris wasn't Roman / Margaret Murata. The articulation of Lully's dramatic dialogue / Lois Rosow. Recovering the Lullian divertissement / Rebecca Harris-Warrick. Opera and the Spanish political agenda / Louise K. Stein. What did Handel learn from Steffani's operas? / Colin Timms. Performance and political allegory in Restoration England : what to interpret and when / Andrew R. Walkling. The politics of opera in late 17th-century London / Robert D. Hume |
| ID interne | 86920 |
| Cote | Ae 14410 |
| Localisation | Dépôt extérieur, à commander en ligne |