| Titre |
Musorgsky : eight essays and an epilogue / by Richard Taruskin |
| Auteur |
Taruskin, Richard
|
| Éditeur(s) |
Princeton, N. J.: Princeton University Press, cop. 1993
|
| Type de document |
XXXIV, 415 p. : mus. ; 24 cm |
| Langue du document |
Anglais |
| ISBN |
0691016232 |
| Notes |
Bibliogr. Index |
| Sujet(s) |
|
| Contenu |
Preface: Against Utopia ; 1. Et in Arcadia Ego; or, I Didn’t Know I Was Such a Pessimist until I Wrote This Thing ; 2. Only Time Will Cover the Taint ; 3. "Nationalism": Colonialism in Disguise? ; Why Do They All Hate Horowitz? ; 5. Optimism amid the Rubble ; 6. A Survivor from the Teutonic Train Wreck ; 7. Does Nature Call the Tune? ; 8. Two Stabs at the Universe ; Away with the Ives Myth: The "Universe" Is Here at Last ; 9. In Search of the "Good" Hindemith Legacy ; 10. Six Times Six: A Bach Suite Selection ; 11. A Beethoven Season? ; 12. Dispelling the Contagious Wagnerian Mist ; 13. How Talented Composers Become Useless ; 14. Making a Stand against Sterility ; 15. A Sturdy Musical Bridge to the Twenty-First Century ; 16. Calling All Pundits: No More Predictions! ; 17. In The Rake’s Progress, Love Conquers All; Almost ; 18. Markevitch as Icarus ; 19. Let’s Rescue Poor Schumann from His Rescuers ; 20. Early Music: Truly Old-Fashioned at Last? ; 21. Bartok and Stravinsky: Odd Couple Reunited? ; 22. Wagner’s Antichrist Crashes a Pagan Party ; 23. A Surrealist Composer Comes to the Rescue of Modernism ; 24. Corraling a Herd of Musical Mavericks ; 25. Can We Give Poor Orff a Pass at Last? ; 26. Music’s Dangers and the Case for Control ; 27. Ezra Pound: A Slim Sound Claim to Musical Immortality ; 28. Underneath the Dissonance Beat a Brahmsian Heart ; 29. Enter Boris Goudenow, Just 295 Years Late ; 30. The First Modernist ; 31. The Dark Side of the Moon ; 32. Of Kings and Divas ; 33. The Golden Age of Kitsch ; 34. No Ear for Music: The Scary Purity of John Cage ; 35. Sacred Entertainments ; 36. The Poietic Fallacy ; 37. The Musical Mystique: Defending Classical Music against Its Devotees ; 38. Revising Revision ; 39. Back to Whom? Neoclassicism as Ideology ; 40. She Do the Ring in Different Voices ; 41. Stravinsky and Us ; 42. Setting Limits |
| ID interne |
81262 |