Livre
Christensen, Thomas
Farnham: Ashgate, 2014
| Titre | The work of music theory : selected essays / Thomas Christensen |
| Auteur | Christensen, Thomas |
| Éditeur(s) |
Farnham: Ashgate, 2014
|
| Type de document | XVII, 385 p. : ill. ; 25 cm |
| Collection(s) |
Ashgate contemporary thinkers on critical musicology
|
| Langue du document | Anglais |
| ISBN | 9781472430557 |
| Sujet(s) | |
| Contenu | Part 1, Reflections on the History of Music Theory : Music theory and its histories ; Music theory in Clio's mirror ; Fragile texts, hidden theory. Part 2, Thorough-Bass and Music Theory : Fundamenta Partiturae : thorough bass and foundations of 18th-century composition pedagogy ; The Spanish Baroque guitar and 17th-century triadic theory ; The Règle de l'Octave in thorough-bass theory and practice ; Throughbass as music theory. Part 3, The 17th Century : Harmonia Temporis : Calvisius and musical chronology ; The sound world of Father Mersenne. Part 4, The 18th century : Johann Nicolaus Bach as music theorist ; Bach among the theorists ; Sensus, Ratio, and Phthongos : Mattheson's theory of tone perception ; Nichelmann contra C. Ph. E. Bach : harmonic theory and musical politics at the court of Frederick the Great ; Diderot, Rameau, and resonating strings : new evidence of an early collaboration ; Bemetzrieder's dream : Diderot and the pathology of tonal sensibility in the Leçons de clavecin |
| ID interne | 7805 |
| Cote | Ae 5955 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Christensen, Thomas
Cambridge: Cambridge University Press, 1993
| Titre | Rameau and musical thought in the Enlightenment / Thomas Christensen |
| Auteur | Christensen, Thomas |
| Éditeur(s) |
Cambridge: Cambridge University Press, 1993
|
| Type de document | XVIII, 327 p. : fig., portr., fac-sim., mus. ; 26 cm |
| Collection(s) |
Cambridge studies in music theory and analysis ; 4
|
| Langue du document | Anglais |
| ISBN | 0521420407 |
| Notes | Bibliogr. : p. 313-320 |
| Sujet(s) | |
| ID interne | 19329 |
| Cote | Ae 8335 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
Leuven: Leuven University Press, 2010
| Titre | Partimento and continuo playing : in theory and in practice / Thomas Christensen, Robert Gjerdingen, Giorgio Sanguinetti, Rudolf Lutz ; [ed. by Dirk Moelants] |
| Responsable(s) secondaire(s) |
Moelants, Dirk
: Editeur
|
| Éditeur(s) |
Leuven: Leuven University Press, 2010
|
| Type de document | 136 p. : mus. ; 24 cm |
| Collection(s) |
Collected writings of the Orpheus Institute ; 9
|
| Langue du document | Anglais |
| Oeuvre(s) | |
| Sujet(s) | |
| Contenu | Thoroughbass as music theory / Thomas Christensen ; Partimenti written to impart a knowledge of counterpoint and composition / Robert Gjerdingen ; Partimento-fugue : the Neapolitan angle / Giorgio Sanguinetti ; The playing of partimento / Rudolf Lutz |
| ID interne | 22991 |
| Cote | Ae 14540 |
| Localisation | Dépôt extérieur, à commander en ligne |