Livre
Burlington: Ashgate, 2011
Titre | Baroque music / ed. by David Milsom |
Responsable(s) secondaire(s) |
Walls, Peter
: Editeur
|
Éditeur(s) |
Burlington: Ashgate, 2011
|
Type de document | XXXIV, 553 p. : mus. ; 25 cm |
Collection(s) |
The library of essays on music performance practice
|
Langue du document | Anglais |
ISBN | 9780754628828 |
Sujet(s) | |
Contenu | On the execution of music and principally of ancient music / C. Saint-Saëns, traduit par Henry P. Bowie. - Reconstructing the harsichord / Frank Hubbard. - The harsichord culture in Bach's environ / John Koster. - Bach and the flute : the players, the instruments, the music / Ardal Powell with David Lasocki. - New light on the old bow / Robert E. Seletsky. - Falsetto and the french : une toute autre marche / by Andrew Parrott. - Bach's keyboard temperament, internal evidence from the Well-tempered Clavier / John Barnes. - Beyond temperament : non-keyboard intonation in the 17th and 18th centuries / Bruce Haynes. - Handelian keyboard fingerings / Mark Lindley. - Violin fingering in the 18th century / Peter Walls. - Tu ru or not tu ru : syllables and unequal tonguing patterns on woodwinds in the seventeenth and eighteenth centuries / Bruce Haynes. - La voce è grata assai ma... Monteverdi on singing / Richard Wistreich. - The vibrato controversy / Frederick Neumann. - The censored publications of The art of playing on the violin or Geminiani unshaken / Roger Hickman. - Text, context and the early music editor / Philip Brett. - Sous les doits de Chambonniere / David Fuller. - Violinistic virtuosity in the seventeenth century : Italian supremacy or Austro-German hegemony / Peter Allsop. - Ornament's for Corelli's violin sonatas, op. 5 / Neal Zaslaw. - Déjà vu all over again ? rythmic alteration vs Neumann's musical protectionism : a response to Frederick Neumann's review of rhythmic alteration in seventeenth and eighteenth century music : notes inégales and overdotting / Stephen E. Hefling. - Alteration in Handel : a fresh approach / John Byrt. - Bach's french overtures and the politics of overdotting / Matthew Dirst. - Col nobilissimo esercitio della vivuola : Monteverdi's string writing / Peter Holman. - Professional women musicians in early eighteenth-century Württemberg / by Samantha Owens. - Performance practices at San Petronio in the baroque / Anne Schnoebelen. - When is a solo sonata not a solo sonata ? Corelli's op. V considered in the light of the genres's tradition / Niels Martin Jensen. - Bach's chorus : a preliminary report / Joshua Rifkin. - Bach defended against his devotees / Theodor W. Adorno. - Early music defended against its devotees : a theory of historical performance on the twentieth century / Laurence Dreyfus. - A Bach odyssey / Sigiswald Kuijken |
ID interne | 86809 |
Cote | Ae 14403 |
Localisation | Dépôt extérieur, à commander en ligne |
Livre
Regensburg: ConBrio, cop. 2010
Titre | L'Europe baroque : Oper im 17. und 18. Jahrhundert = L'opéra aux XVIIe et XVIIIe siècles / hrsg. von Isolde Schmid-Reiter und Dominique Meyer ; Redaktionelle Mitarbeit: Mathias Spohr |
Responsable(s) secondaire(s) |
Spohr, Mathias
: Collaborateur
Meyer, Dominique
: Editeur
Schmid-Reiter, Isolde
: Editeur
|
Éditeur(s) |
Regensburg: ConBrio, cop. 2010
|
Type de document | 255 p. : ill. ; 21 cm |
Langue du document | Allemand, Français |
ISBN | 9783940768179 |
Sujet(s) | |
ID interne | 89581 |
Cote | Ae 14667 |
Localisation | Dépôt extérieur, à commander en ligne |