Livre
Cambridge: Cambridge University Press, 2015
| Titre | Transformations of musical modernism / edited by Erling E. Guldbrandsen and Julian Johnson |
| Responsable(s) secondaire(s) |
Johnson, Julian
: Editeur
Guldbrandsen, Erling E.
: Editeur
|
| Éditeur(s) |
Cambridge: Cambridge University Press, 2015
|
| Type de document | XV, 351 p. : mus. ; 26 cm |
| Collection(s) |
Music since 1900
|
| Langue du document | Anglais |
| ISBN | 9781107127210 |
| Sujet(s) | |
| Contenu | 1. The lure of the sublime : revisiting the modernist project / Susan McClary ; 2. Return of the repressed : particularity in early and late modernism / Julian Johnson ; 3. Expressionism revisited : modernism beyond the twentieth century / Arnold Whittall ; 4. Erik Bergman, cosmopolitanism and the transformation of musical geography / Björn Heile ; 5. Sharing a stage : the growing proximity between modernism and popular music / David Metzer ; 6. Ritual and Eros in James Dillon's Come live with me / Michael Cherlin 7. Montage in modernity : scattered fragments, dynamic fragments / Jean-Paul Olive ; 8. Transformations of appearance : suddenness and the modernist fragment / Marion Hestholm ; 9. Rethinking Boulez : schemes, logics and paradigms of musical modernity / Edward Campbell ; 10. Remembrance and prognosis in the music of György Ligeti / Peter Edwards ; 11. Valentin Silvestrov and the symphonic monument in ruins / Samuel Wilson ; 12. Playing with transformations : Boulez's Improvisation III sur Mallarmé / Erling E. Guldbrandsen ; 13. Performance as critique / Arnulf Christian Mattes ; 14. 'Unwrapping' the voice : Cathy Berberian and John Cage's Aria / Francesca Placanica ; 15. Radically idiomatic instrumental practice in works by Brian Ferneyhough / Anders Forisdal ; 16. The ethics of performance practice in complex music after 1945 / Tanja Orning. |
| ID interne | 101192 |
| Cote | Ae 15774 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
London ; New York: Routledge, 2019
| Titre | Double lives : film composers in the Concert Hall / edited by James Wierzbicki |
| Responsable(s) secondaire(s) |
Wierzbicki, James
: Editeur
|
| Éditeur(s) |
London ; New York: Routledge, 2019
|
| Type de document | 253 p. ; 24 cm |
| Langue du document | Anglais |
| ISBN | 9780367028879 |
| Sujet(s) | |
| Contenu | 1. Erich Wolfgang Korngold : The Last Prodigy / Brendan G. Carroll. - 2. The Concert Works of Georges Auric, 1945 to 1983 / Colin Roust. - 3. Looking for Mr. Hyde : Franz Waxman's Musical Activities beyond Film / Ingeborg Zechner. - 4. The Double Life of Miklós Rózsa's Violin Concerto and The Private Life of Sherlock Holmes / Stephen C. Meyer. - 5. Bernard Herrmann's Concert Music, 1935 to 1975 : An Overview / Samuel Cottell. - 6. Nino Rota : Neo-Classicist, Classical Modernist, or Pragmatic Pluralist / Carl Alexander Vincent. - 7. Jerome Moross : The Concert Hall and Stage Works / Mariana Whitmer. - 8. Don Banks : Hammer Horror and Serial Composition / Michael Hooper. - 9. Modern Composer Off the Screen : Leonard Rosenman's Concert Music / Reba A. Wissner. - 10. The Maestro of Multiple Voices : The Absolute Music of Ennio Morricone / Felicity Wilcox. - 11. I Did It for Fun : André Previn, Crossover Musician / Frédéric Döhl. - 12. Wojciech Kilar : I Am Like a Doctor Jekyll and Mister Hyde / Bogumila Mika. - 13. Alberto Iglesias : The Spanish Composer behind Pedro Almodóvar's Films / María Ángeles Ferrer-Forés. - 14. Johannes factotum : Jóhann Jóhannson / Vasco Hexel. - 15. Laura Rossi's War Musics / Kendra Preston Leonard |
| ID interne | 113212 |
| Cote | Ae 16769 |
| Localisation | Dépôt extérieur, à commander en ligne |