Livre
Hibberd, Sarah
Cambridge: Cambridge University Press, 2010
Titre French grand opera and the historical imagination / Sarah Hibberd
Auteur Hibberd, Sarah
Éditeur(s)
Cambridge: Cambridge University Press, 2010
Type de document XIV, 278 p. : ill. ; 26 cm
Édition 1st paperback ed.
Langue du document Anglais
ISBN 9780521184267
Notes Bibliogr. : p. 254-272
Sujet(s)
ID interne 80702
Cote Ae 14065/ii
Localisation Dépôt extérieur, à commander en ligne
Notes sur l'ex. Ancienne cote : Ae 14172
Cote Ae 14065/i
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Livre
Oxfordshire ; New York: Routledge, 2016
Titre Melodramatic voices : understanding music drama / ed. by Sarah Hibberd
Responsable(s) secondaire(s)
Hibberd, Sarah : Editeur
Éditeur(s)
Oxfordshire ; New York: Routledge, 2016
Type de document XX, 291 p. : ill. ; 24 cm
Collection(s)
Ashgate interdisciplinary studies in opera
Langue du document Anglais
ISMN 9781138274013
Notes Réimpression de l'édition de Ashgate, 2011.
Notes bibliographiques. Index
Sujet(s)
Contenu Music in Pixerecourt's Early Melodramas / Katherine Astbury. - Operatic or Theatrical? Orchestral Framings of the Voice in the Melodrama Sept heures (1829) / Jens Hesselager. - Reconstructing Greek Drama: Saint-Saens and the Melodramatic Ideal / Elinor Olin. - In a Woman's Voice: Musical Recitation and the Feminization of American Melodrama / Marian Wilson Kimber. - "Si L'Orchestre seul chantait": melodramatic voices in Chelard's Macbeth (1827) / Sarah Hibberd. - Melodramatic Spectacle on the English Operatic Stage / Philip Cadi. - Janacek and Melodrama / John Tyrrell. - Dismembering 'Expectations': The Modernization of Monodrama in Fin-de-siecle Theatrical Arts / Jessica Payette. - Opera for the People: Melodrama in Hugo Herrmann's Vasantasena (1930) / Nanette Nielsen.- Berlioz's 'Romeo au tombeau': Melodrama of the Mind / Violaine Anger. - Be it [N]ever so Humble? The Narrating Voice in the Underscore to The Wizard of Oz (MGM, 1939) / Fiona Ford. - The Voice-Over as 'Melodramatic Voice' / Jacqueline Waeber. - Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen / Jeremy Barham
ID interne 106521
Cote Ae 16156
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Livre
Farnham: Ashgate, 2014
Titre Art, theatre and opera in Paris, 1750-1850 : exchanges and tensions / edited by Sarah Hibberd and Richard Wrigley
Responsable(s) secondaire(s)
Hibberd, Sarah : Editeur
Wrigley, Richard : Editeur
Éditeur(s)
Farnham: Ashgate, 2014
Type de document XV, 267 p. : ill. ; 25 cm
Langue du document Anglais
ISBN 9781409439479
Sujet(s)
Contenu 1. Hearing through the eye in eighteenth-century French opera / David Charlton ; 2. Nihil per saltum : chiaroscuro in eighteenth-century lyric theatre / Mark Darlow ; 3. Musical mutualism : David, Degotti and operatic painting / Mark Ledbury ; 4. Music, theatre, and the Gothic imaginary : visualising the Bleeding Nun / Thomas Grey ; 5. Belshazzar's Feast and the operatic imagination / Sarah Hibberd ; 6. Romantic painters as costumiers : the stage as pictorial battlefield / Olivia Voisin ; 7. Delaroche off stage / Stephen Bann ; 8. Performers and spectators : viewing Delaroche / Patricia Smyth ; 9. Delaroche and the drama of history : gesture and impassivity from The Children of Edward IV to Marie-Antoinette at the Tribunal / Beth S. Wright ; 10. Playing with excess : Maria Malibran as Clari at the Théâtre Italien / Céline Frigau Manning ; 11. All mixed up : Etienne-Jean Delécluze and the théâtral in art and criticism / Richard Wrigley
ID interne 96902
Cote Ae 15318
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