Livre
Turnhout: Brepols, 2017
| Titre | Nineteenth-century music criticism / edited by Teresa Cascudo García-Villaraco |
| Responsable(s) secondaire(s) |
Cascudo, Teresa
: Editeur
|
| Éditeur(s) |
Turnhout: Brepols, 2017
|
| Type de document | XXIV, 526 p. : ill. ; 27 cm |
| Collection(s) |
Music, criticism & politics ; 3
|
| Langue du document | Allemand, Anglais, Français, Italien |
| ISBN | 9782503574974 |
| Notes | Actes du congrès tenu à Lucca en 2015 et organisé par le Centro Studi Opera Omnia Luigi Boccherini et le Palazzetto Bru Zane - Centre de la musique romantique française |
| Sujet(s) | |
| Contenu | Music criticism, speech acts, and generic contracts / Katharine Ellis. - Barnun et les Romains : critique, claque et réclame dans les Soirées de l'orchestre d'Hector Berlioz /Guillaume Bordry. - A critic's progress: Emile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the Revue et Gazette musicale de Paris / Sylvia Kahan. - London's Italian opera as a topic of interest to international nineteenth-century music criticism / Ingeborg Zechner. - Speaking for whom : using opera reviews from Strasbourg (1887-1918) to clarify the problematical source character of music criticism / Jeroen van Gessel. - Graphic humour as musical criticism : cartoon and caricature in the first Wagnerian reception in Madrid / José Ignacio Suárez García. - The music in the theatres of Rio de Janiero (1890-1900) : concert series, music criticism and conflicting cultural projects in the early years of the republic / Mónica Vermes. - The power of music criticism in the shaping of modern Uruguay : an analysis of the newspaper Montevideo Musical / Marita Fornaro Bordolli. - The cultural biography of a musical periodical : Boletin Musical (Buenos Aires, 1837) / Melanie Plesch. - Nativist rhetoric in the opera journalism on Antebellum New York City / Erin Fulton. - 1813, Vienna, and a re-print of the AmZ : notes on intertexuality in German music media around 1800 / Marc Ernesti. - The string quartet in early nineteenth-century performance and criticism / Nancy November. - Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx / Maria Teresa Arfini. - La musica non imita e non esprime che lo stesso sentimento in persona : per una (mancata) teoria musicale leopardiana / Renato Ricco. - Fallen angels of music : subjectivity in early 19th-century philosophy and the reception of virtuosity in contemporary music criticism / Zarko Cvejic. - Absolute philosophy : gender, nationalism, and Jewishness in Eduard Hanslick's formalism / Michael B. Ward. - Manuel de Falla at war : on race, sound, and new music / Teresa Cascudo García-Villaraco. - Les plaisirs de l'imagination sont les seuls réels : Grétry's writings and the expansion of critical thought at the beginning of the nineteenth century / R.J. Arnold. - Composer-critic and Intimitable creators : E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera / Diau-Long Shen. - Critical responses to nineteenth-century music criticism : Johanna Kinkel's Trinkleider and her later Lieder collections / Anja Bunzel. - Richard Wagner et la Reine de Chypre de Fromental Halévy (Paris, 1841) : la critique musicale comme réflexion esthétique capitale / Yaël Hêche. - Richard Wagners offener brief über Franz Liszts Symphonische Dichtungen (1857) and die Komposition von Tristan und Isolde / Rainer Kleinertz |
| ID interne | 110964 |
| Cote | Ae 16602 |
| Localisation | Dépôt extérieur, à commander en ligne |