Livre
Leuven: Leuven University Press, 2009
| Titre | Metacage : essays on and around Freeman etudes, Fontana mix, aria / Juan Parra Cancino, Magnus Andersson, Mieko Kanno, William Brooks |
| Éditeur(s) |
Leuven: Leuven University Press, 2009
|
| Type de document | 98 p. : mus. ; 24 cm + 1 disque compact |
| Collection(s) |
Collected writings of the Orpheus Institute. Subseries Orpheus research centre in music ; 2
|
| Langue du document | Anglais |
| ISBN | 9789490389017 |
| Oeuvre(s) | |
| Sujet(s) | |
| Contenu | I. Historical contextualization in live electronic music : reconstructing Aria-Fontana mix by John Cage / Juan Parra Cancino ; II. John Cage as meta-composer / Magnus Andersson ; III. Cage's Freeman Etudes : sounding out / Mieko Kanno ; Sounds, gamuts, actions : Cage's pluralist universe / William Brooks |
| ID interne | 91817 |
| Cote | Ae 14799 |
| Localisation | Dépôt extérieur, à commander en ligne |
Livre
[Leuven]: Leuven University Press, 2021
| Titre | Experience music experiment : pragmatism and artistic research / edited by William Brooks |
| Responsable(s) secondaire(s) |
Brooks, William
: Editeur
|
| Éditeur(s) |
[Leuven]: Leuven University Press, 2021
|
| Type de document | 1 partition (288 p.) : ill. ; 29 cm |
| Collection(s) |
Orpheus Institute series
|
| Langue du document | Anglais |
| ISBN | 9789462702790 |
| Sujet(s) | |
| ID interne | 126053 |
| Cote | Be 601 |
| Localisation | Magasin principal |
Livre
Leuven: Leuven University Press, 2013
| Titre | Sound & score : essays on sound, score and notation / edited by Paulo de Assis, William Brooks, Kathleen Coessens |
| Responsable(s) secondaire(s) |
Assis, Paulo de
: Editeur
Brooks, William
: Editeur
Coessens, Kathleen
: Editeur
|
| Éditeur(s) |
Leuven: Leuven University Press, 2013
|
| Type de document | 228 p. : ill. ; 29 cm |
| Collection(s) |
Orpheus Institute series
|
| Langue du document | Anglais |
| ISBN | 9789058679765 |
| Sujet(s) | |
| Contenu | What I say and What I do : The Role of Composers'Own Performances of Their Scores in Answering Our Research : Questions about Their Works and How We Should Interpret Them / Jeremy Cox ; The Mysterious Whether Seen as Inspiration or as Alchemy : Some Thoughts on the Limitations of Notation / Paul Roberts ; Artistic Practice, Methodology, and Subjectivity : The I Can as Practical Possibility and Original Consciousness / Andreas Georg Stascheit ; From Territories to Transformations : Anton Webern's Piano Variations Op. 27 as a Case Study for Research in-and-through Musical Practice / Darla Crispin ; Interlude I : Exploring Musical Integrity and Experimentation / Kathleen Coessens ; Poem as Score : Finding Melodies for Unnotated Troubadour Songs / Robin T. Bier ; Sound Drifts : The Phenomenon of Stylistic Change in the Interpretation of Fixed Texts / Anna Scott ; Pression Revised : Anatomy of Sound, Notated Energy, and Performance Practice / Tanja Orning ; The In(visible) Sound / Miguelàngel Clerc ; Interlude II : The Score on Shifting Grounds / Kathleen Coessens ; The Beginning of Happiness : Approaching Scores in Graphic and Text Notation / Virginia Anderson ; Closing the Gap between Sound and Score in the Performance of Electroacoustic Music / Gregorio García Karman ; Notational Perspective and Comprovisation / Sandeep Bhagwati ; Interlude III : The Score beyond Music / Kathleen Coessens ; A Physical Interpretation of a Score in a Listening Attitude / Susanne Jaresand and Maria Calissendorff ; Score as Relationship : From Scores to Score Spaces to Scorescapes / Yolande Harris ; Drawing and the Score / Anne Douglas ; Postlude / Kathleen Coessens |
| ID interne | 101638 |
| Cote | Ae 15806 |
| Localisation | Dépôt extérieur, à commander en ligne |